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We have experienced how quick and effective the software is in creating high-quality panoramas. Our variety of panoramasВ are sequences made up of 10 images through to more than 70 images. EachВ panoramaВ вЂgroupвЂ™В can hold as little as two images or as many as several thousand, making for potentially very high-resolution panoramas. The software works with images from any camera, including Raw files.

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You may need to shoot more images in these sequences.ДЄll this said, Autopano Giga 4 can workВ wonders withВ poorly captured image sequences.В Whether pictures are taken handheld with a smartphone or compact camera or even using a professional DSLR mounted to a panoramic head, Autopano Giga 4 can handle the image sequence. Using a telephoto focal length can reduce lens distortions and helps to bring objects closer, though it will, of course, reduce the amount of the scene contained in the picture. Autopano Giga 4 can handle a lot of images in one panorama, so there's no need for caution вЂ“ just take your time and shoot methodically in order to avoid extra post processing work.ДЇor use with Autopano Giga 4, we have made linear panoramas (horizontal shifts only) and multi-angle panoramas (with several images in a vertical movement, in addition to theВ horizontal shift). YouвЂ™ll also have more scope for capturing sky and ground areas, or be able to zoom in more and experience less lens distortion.Д®nsure a good overlap of up to 20-30% from one image to the next. When covering the same space it will require twice as many portrait format images as landscape format images, so youвЂ™ll get twice the resolution.

WeвЂ™re excited about Virtual Reality and continuing toВ produceВ cinematicВ History-based VR contentВ for Travel and Tourism.To capture a panorama, itвЂ™s best to shoot images in portrait format.

There are numerous time-consuming solutions for this, however weвЂ™ve found it to be quick and painless by setting keyframes along the X,Y, Z axis throughout each shot using theВ using the Re-orient Camera feature in Skybox Studio from Mettle with Adobe After Effects. The addition of motion in VR presents other challenges such as maintaining a consistent horizon.

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One of the biggest challenges weвЂ™ve faced in virtual reality is how to effectively move the camera which weвЂ™ve solved with customized motion control robotics featured in our upcoming episodes. Skybox Studio with Adobe After Effects provides us with exceptional tools that make Virtual Reality post-production FUN and I canвЂ™t imagine doing any VR project without them! I knew that I could quickly and effectively make adjustments to horizon, add graphics and text, remove power poles, electrical wires, tripod shadows and so much more! Taking the time to make the Virtual Reality experience as visually appealing and immersive as possible requires a commitment to quality and a set of tools that are powerful and reliable. Skybox Studio really opened my eyes to what was possible with VR and gave me so much confidence in my shooting.

Thankfully I discovered SKYBOX STUDIO which made doing all those things a breeze! We knew from the onset that we wanted to remove the camera support, replace it with our Gold Creek Films logo and position additional graphics within the VR space, however we didnвЂ™t know exactly how we were going to do it.

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Tonopah 360 was shot 1440p at 60fps ISO 800 and stitched using AutoPano Video and AutoPano Giga.

In JamieвЂ™s own words, вЂњOur first four episodes were shot using the Freedom 360 camera system with GoPro Hero 4 Black cameras.

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